《在场与停摆｜疫情影像放映单元》聚焦疫情时期的日常经验与感知方式，通过影像这一媒介，回望个体在“被迫停下”的时间结构中所经历的情绪、观察与表达。

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本单元汇集了疫情期间及其后创作的影像作品，内容涵盖日常记录、实验影像、影像日志与教学实践中的影像成果。创作者以有限的空间、重复的日常与缓慢的时间为起点，将身体经验、家庭关系、城市景观与心理变化转化为可被观看与回溯的影像片段。

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作为一个兼具教育性与公共记忆属性的放映单元，本项目亦关注影像在特殊时期的学习与创作方式——当课堂转入线上、当美术馆暂时关闭，影像成为连接观察、思考与表达的重要工具。通过本次放映，观众得以重新进入那段被共同经历、却各自不同的时间，在观看中理解“在场”的意义，也感受“停摆”所留下的痕迹。

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Being There, Standing Still: A Pandemic Film Screening Unit brings together a selection of moving image works created during and in response to the pandemic, reflecting on everyday experiences shaped by isolation, suspension, and uncertainty.

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The screening unit presents video diaries, experimental films, observational recordings, and educational outcomes developed under restricted conditions. Working within limited spaces and altered rhythms of daily life, the creators transform personal emotions, domestic environments, urban stillness, and psychological shifts into visual narratives that can be revisited and shared.

 

As an educational and archival initiative, this screening unit also examines the role of moving image practices during a time when physical classrooms and museum spaces were inaccessible. Video became a vital medium for learning, reflection, and expression. Through this program, audiences are invited to re-enter a collectively experienced yet individually lived moment, reconsidering what it meant to be present, and what remains after everything came to a pause.